Berliner Boersenzeitung - Filmmakers at Cannes grapple with 'tectonic' AI shift

EUR -
AED 3.849071
AFN 71.56307
ALL 98.465648
AMD 409.468215
ANG 1.893231
AOA 955.718831
ARS 1054.749619
AUD 1.614472
AWG 1.886288
AZN 1.782519
BAM 1.960492
BBD 2.120976
BDT 125.530419
BGN 1.955562
BHD 0.394986
BIF 3103.196944
BMD 1.047938
BND 1.415574
BOB 7.285435
BRL 6.079039
BSD 1.050514
BTN 88.559806
BWP 14.350343
BYN 3.437727
BYR 20539.583235
BZD 2.117468
CAD 1.478023
CDF 3007.581455
CHF 0.929259
CLF 0.037074
CLP 1022.998268
CNY 7.586809
CNH 7.612525
COP 4594.945795
CRC 535.319825
CUC 1.047938
CUP 27.770355
CVE 110.527404
CZK 25.320383
DJF 187.057666
DKK 7.458693
DOP 63.30425
DZD 140.071563
EGP 51.976684
ERN 15.719069
ETB 130.985724
FJD 2.385055
FKP 0.827155
GBP 0.834903
GEL 2.860704
GGP 0.827155
GHS 16.544594
GIP 0.827155
GMD 74.40381
GNF 9052.578203
GTQ 8.111179
GYD 219.775967
HKD 8.155697
HNL 26.545275
HRK 7.475213
HTG 137.878655
HUF 410.760113
IDR 16678.246381
ILS 3.821337
IMP 0.827155
INR 88.337079
IQD 1376.09326
IRR 44105.092296
ISK 145.129213
JEP 0.827155
JMD 166.717396
JOD 0.743407
JPY 161.017234
KES 135.70087
KGS 90.949906
KHR 4216.049598
KMF 491.430873
KPW 943.143731
KRW 1465.744813
KWD 0.322524
KYD 0.875395
KZT 524.545339
LAK 23070.211523
LBP 94069.025555
LKR 305.681556
LRD 189.077086
LSL 18.992854
LTL 3.094288
LVL 0.633887
LYD 5.141304
MAD 10.554058
MDL 19.202956
MGA 4908.747592
MKD 61.56337
MMK 3403.661487
MNT 3560.892996
MOP 8.418247
MRU 41.772186
MUR 49.588583
MVR 16.191014
MWK 1821.559347
MXN 21.56301
MYR 4.679056
MZN 66.935227
NAD 18.992854
NGN 1763.815703
NIO 38.652133
NOK 11.634516
NPR 141.698761
NZD 1.793324
OMR 0.403444
PAB 1.050514
PEN 3.978622
PGK 4.231643
PHP 61.81779
PKR 291.766354
PLN 4.315041
PYG 8184.587316
QAR 3.832098
RON 4.978336
RSD 117.014826
RUB 108.987644
RWF 1434.318918
SAR 3.935285
SBD 8.792818
SCR 14.272552
SDG 630.332048
SEK 11.536377
SGD 1.412348
SHP 0.827155
SLE 23.785419
SLL 21974.73918
SOS 600.330981
SRD 37.195469
STD 21690.199169
SVC 9.191998
SYP 2632.975314
SZL 18.987441
THB 36.352603
TJS 11.197577
TMT 3.678262
TND 3.331979
TOP 2.45438
TRY 36.278175
TTD 7.135076
TWD 34.036696
TZS 2777.035195
UAH 43.594831
UGX 3892.31507
USD 1.047938
UYU 44.775876
UZS 13476.251302
VES 48.817455
VND 26630.722396
VUV 124.413296
WST 2.925414
XAF 657.52431
XAG 0.034524
XAU 0.000399
XCD 2.832105
XDR 0.803523
XOF 657.530599
XPF 119.331742
YER 261.905872
ZAR 18.978345
ZMK 9432.70014
ZMW 28.966322
ZWL 337.435583
  • RBGPF

    0.8100

    61

    +1.33%

  • CMSC

    0.0578

    24.73

    +0.23%

  • BTI

    -0.0500

    37.33

    -0.13%

  • NGG

    0.1500

    63.26

    +0.24%

  • BP

    -0.4000

    29.32

    -1.36%

  • CMSD

    0.1200

    24.58

    +0.49%

  • GSK

    0.1900

    34.15

    +0.56%

  • RIO

    0.6300

    62.98

    +1%

  • AZN

    0.7700

    66.4

    +1.16%

  • SCS

    0.4500

    13.72

    +3.28%

  • RELX

    -0.1800

    46.57

    -0.39%

  • JRI

    0.1600

    13.37

    +1.2%

  • VOD

    0.1800

    8.91

    +2.02%

  • BCE

    0.2500

    27.02

    +0.93%

  • RYCEF

    0.0200

    6.79

    +0.29%

  • BCC

    8.7200

    152.5

    +5.72%

Filmmakers at Cannes grapple with 'tectonic' AI shift
Filmmakers at Cannes grapple with 'tectonic' AI shift / Photo: Lionel BONAVENTURE - AFP

Filmmakers at Cannes grapple with 'tectonic' AI shift

At an AI talk on a Cannes beach, a presenter's voice is cloned and used to say a random phrase in three languages, while another's face is replaced live on screen as they speak.

Text size:

Few of the film buffs attending the premiere industry festival are shocked.

Ever since the artificial intelligence chatbot ChatGPT took the world by storm six months ago, spurring an AI race among tech giants, the technology has shaken up the film industry.

The use of AI to write scripts is one of the leading concerns among Hollywood movie and TV writers who are in their third week of a strike that has upended productions.

However the technology is revolutionising everything from voice acting, to analysing scripts and coming up with a budget, to creating mock-ups of scenes before you even pick up a camera.

"New things are created every single day," says Quinn Halleck, a 25-year-old filmmaker who is about to release a three-part short movie called "./ Sigma_001" which is about a sentient AI being, and uses AI from conception to marketing and distribution.

"It's not just one tool, it's sort of sprinkled throughout the workflow process," he tells AFP on the sidelines of a panel on AI.

This ranges from asking ChatGPT what a character could be like, what her backstory is, and "riffing" off that to create ideas.

Telling an anecdote about a showrunner who hires writers by giving them the same prompt as he gives ChatGPT and seeing if they perform better, he argues the "bar has been raised" to come up with great ideas.

But while some assistant roles may disappear, he believes a human director remains essential.

"You still have to come up with the ideas, you have to create the prompts and curate the answers."

- Deepfake technology -

The world's leading film festival, taking place on the French Riviera, got a hefty dose of AI with a lengthy scene de-aging Harrison Ford, 80, in "Indiana Jones and the Dial of Destiny".

While producers have ruled out using AI to keep the role going, actors like Tom Hanks believe it will allow him to keep acting long after his death.

Hanks is currently being de-aged in his upcoming movie "Here", with help from deepfake, face-swapping technology from AI firm Metaphysic.

The company's co-founder Tom Graham says technology has bridged the so-called "uncanny valley" -- the visceral human rejection of less-than-realistic androids -- and is now creating deepfakes where you "absolutely can't tell the difference".

The company is behind Deepfake Tom Cruise, a TikTok account that perfectly imitates the actor, and also created a hyper-real Elvis Presley who morphed into Simon Cowell and his co-judges on an episode of "America's Got Talent".

While filmmakers are brimming with excitement over the technology's potential, questions of its abuse hang over the session.

"This set of technologies represents, you know, a set of tectonic social shifts like the industrial revolution, which will play out over the next 20-50 years and people should be worried about what happens," Graham tells AFP.

"Unfortunately, I don't believe that you can stop the advancement of the technology because a lot of it is open source. There's not really anything to turn off."

His advice: "You should try to own and control the rights to your biometric data, how you sound, how you look, and really kind of lock that down."

- Voice cloning -

Magdalena Zielinska of ElevenLabs in Poland which claims to have created the "most expressive" AI voices available, says tools to check if a voice is synthetic will be essential.

Unlike the robotic AI voices of the past, models have learned to replicate the pace and intonation of human voices.

She says the tool allows directors to see how a scene will sound, or advertisers to see what kind of voice resonates most with clients. It can also be used to fix problems in post-production.

Zielinska says the technology could allow an actor to license their voice and do more projects at the same time.

A voice actor who fled the war in Ukraine was struggling to find work in Poland, and is "now making money", she says, after using the technology to clean up his English accent.

French director Mathias Chelebourg foresees that 90 percent of overall production will eventually be done by AI on movie sets.

"Hire right now an AI specialist in your team, whatever your job is, and hire it now, because in one year you will regret it," he warns.

(O.Joost--BBZ)