Berliner Boersenzeitung - Filmmakers at Cannes grapple with 'tectonic' AI shift

EUR -
AED 4.104397
AFN 76.945413
ALL 99.231189
AMD 432.617988
ANG 2.010719
AOA 1036.724537
ARS 1075.538681
AUD 1.641361
AWG 2.011389
AZN 1.904081
BAM 1.955429
BBD 2.252673
BDT 133.324726
BGN 1.955529
BHD 0.42042
BIF 3234.286875
BMD 1.117438
BND 1.441627
BOB 7.709539
BRL 6.055052
BSD 1.115688
BTN 93.249023
BWP 14.748204
BYN 3.651208
BYR 21901.788071
BZD 2.248874
CAD 1.517202
CDF 3208.165381
CHF 0.949812
CLF 0.037689
CLP 1039.944272
CNY 7.880067
CNH 7.870123
COP 4641.820049
CRC 578.89026
CUC 1.117438
CUP 29.612111
CVE 110.244101
CZK 25.088056
DJF 198.672338
DKK 7.466279
DOP 66.967305
DZD 147.657009
EGP 54.142736
ERN 16.761573
ETB 129.466357
FJD 2.459262
FKP 0.850995
GBP 0.83876
GEL 3.051043
GGP 0.850995
GHS 17.539675
GIP 0.850995
GMD 76.548818
GNF 9639.172699
GTQ 8.624365
GYD 233.395755
HKD 8.704949
HNL 27.675753
HRK 7.597474
HTG 147.212093
HUF 393.517458
IDR 16941.25656
ILS 4.221139
IMP 0.850995
INR 93.284241
IQD 1461.522939
IRR 47035.770303
ISK 152.262556
JEP 0.850995
JMD 175.286771
JOD 0.791709
JPY 160.803866
KES 143.922717
KGS 94.13132
KHR 4531.14103
KMF 493.181764
KPW 1005.693717
KRW 1488.975611
KWD 0.340897
KYD 0.929724
KZT 534.908597
LAK 24636.329683
LBP 99909.860054
LKR 340.395471
LRD 223.1377
LSL 19.586187
LTL 3.299505
LVL 0.675928
LYD 5.297996
MAD 10.818149
MDL 19.468309
MGA 5046.04342
MKD 61.603322
MMK 3629.395577
MNT 3797.054841
MOP 8.955702
MRU 44.337595
MUR 51.268486
MVR 17.164273
MWK 1934.433289
MXN 21.697078
MYR 4.698871
MZN 71.348848
NAD 19.586187
NGN 1831.984424
NIO 41.062216
NOK 11.713438
NPR 149.198716
NZD 1.791484
OMR 0.429669
PAB 1.115688
PEN 4.181807
PGK 4.367172
PHP 62.188829
PKR 309.994034
PLN 4.274593
PYG 8704.349913
QAR 4.067529
RON 4.972492
RSD 117.203662
RUB 103.380402
RWF 1504.014883
SAR 4.193134
SBD 9.282489
SCR 14.578236
SDG 672.143165
SEK 11.364797
SGD 1.442952
SHP 0.850995
SLE 25.530448
SLL 23432.113894
SOS 637.579134
SRD 33.752262
STD 23128.713955
SVC 9.762149
SYP 2807.596846
SZL 19.593286
THB 36.793929
TJS 11.859752
TMT 3.911034
TND 3.380559
TOP 2.617156
TRY 38.132438
TTD 7.588561
TWD 35.736832
TZS 3045.822602
UAH 46.114158
UGX 4133.216465
USD 1.117438
UYU 46.101261
UZS 14197.308611
VEF 4047978.463464
VES 41.096875
VND 27494.566096
VUV 132.664504
WST 3.125992
XAF 655.832674
XAG 0.035881
XAU 0.000426
XCD 3.019933
XDR 0.826843
XOF 655.832674
XPF 119.331742
YER 279.722751
ZAR 19.426272
ZMK 10058.288435
ZMW 29.537401
ZWL 359.814634
  • CMSD

    0.0100

    25.02

    +0.04%

  • BCC

    -7.1900

    137.5

    -5.23%

  • SCS

    -0.3900

    12.92

    -3.02%

  • JRI

    -0.0800

    13.32

    -0.6%

  • RBGPF

    58.8300

    58.83

    +100%

  • CMSC

    0.0300

    25.15

    +0.12%

  • NGG

    0.7200

    69.55

    +1.04%

  • RIO

    -1.6100

    63.57

    -2.53%

  • BTI

    -0.1300

    37.44

    -0.35%

  • BCE

    -0.1500

    35.04

    -0.43%

  • GSK

    -0.8200

    40.8

    -2.01%

  • AZN

    -0.5200

    78.38

    -0.66%

  • VOD

    -0.0500

    10.01

    -0.5%

  • RELX

    -0.1400

    47.99

    -0.29%

  • RYCEF

    0.0200

    6.97

    +0.29%

  • BP

    -0.1200

    32.64

    -0.37%

Filmmakers at Cannes grapple with 'tectonic' AI shift
Filmmakers at Cannes grapple with 'tectonic' AI shift / Photo: Lionel BONAVENTURE - AFP

Filmmakers at Cannes grapple with 'tectonic' AI shift

At an AI talk on a Cannes beach, a presenter's voice is cloned and used to say a random phrase in three languages, while another's face is replaced live on screen as they speak.

Text size:

Few of the film buffs attending the premiere industry festival are shocked.

Ever since the artificial intelligence chatbot ChatGPT took the world by storm six months ago, spurring an AI race among tech giants, the technology has shaken up the film industry.

The use of AI to write scripts is one of the leading concerns among Hollywood movie and TV writers who are in their third week of a strike that has upended productions.

However the technology is revolutionising everything from voice acting, to analysing scripts and coming up with a budget, to creating mock-ups of scenes before you even pick up a camera.

"New things are created every single day," says Quinn Halleck, a 25-year-old filmmaker who is about to release a three-part short movie called "./ Sigma_001" which is about a sentient AI being, and uses AI from conception to marketing and distribution.

"It's not just one tool, it's sort of sprinkled throughout the workflow process," he tells AFP on the sidelines of a panel on AI.

This ranges from asking ChatGPT what a character could be like, what her backstory is, and "riffing" off that to create ideas.

Telling an anecdote about a showrunner who hires writers by giving them the same prompt as he gives ChatGPT and seeing if they perform better, he argues the "bar has been raised" to come up with great ideas.

But while some assistant roles may disappear, he believes a human director remains essential.

"You still have to come up with the ideas, you have to create the prompts and curate the answers."

- Deepfake technology -

The world's leading film festival, taking place on the French Riviera, got a hefty dose of AI with a lengthy scene de-aging Harrison Ford, 80, in "Indiana Jones and the Dial of Destiny".

While producers have ruled out using AI to keep the role going, actors like Tom Hanks believe it will allow him to keep acting long after his death.

Hanks is currently being de-aged in his upcoming movie "Here", with help from deepfake, face-swapping technology from AI firm Metaphysic.

The company's co-founder Tom Graham says technology has bridged the so-called "uncanny valley" -- the visceral human rejection of less-than-realistic androids -- and is now creating deepfakes where you "absolutely can't tell the difference".

The company is behind Deepfake Tom Cruise, a TikTok account that perfectly imitates the actor, and also created a hyper-real Elvis Presley who morphed into Simon Cowell and his co-judges on an episode of "America's Got Talent".

While filmmakers are brimming with excitement over the technology's potential, questions of its abuse hang over the session.

"This set of technologies represents, you know, a set of tectonic social shifts like the industrial revolution, which will play out over the next 20-50 years and people should be worried about what happens," Graham tells AFP.

"Unfortunately, I don't believe that you can stop the advancement of the technology because a lot of it is open source. There's not really anything to turn off."

His advice: "You should try to own and control the rights to your biometric data, how you sound, how you look, and really kind of lock that down."

- Voice cloning -

Magdalena Zielinska of ElevenLabs in Poland which claims to have created the "most expressive" AI voices available, says tools to check if a voice is synthetic will be essential.

Unlike the robotic AI voices of the past, models have learned to replicate the pace and intonation of human voices.

She says the tool allows directors to see how a scene will sound, or advertisers to see what kind of voice resonates most with clients. It can also be used to fix problems in post-production.

Zielinska says the technology could allow an actor to license their voice and do more projects at the same time.

A voice actor who fled the war in Ukraine was struggling to find work in Poland, and is "now making money", she says, after using the technology to clean up his English accent.

French director Mathias Chelebourg foresees that 90 percent of overall production will eventually be done by AI on movie sets.

"Hire right now an AI specialist in your team, whatever your job is, and hire it now, because in one year you will regret it," he warns.

(O.Joost--BBZ)